All speed flows to the graveyard

Through the life story of a funeral director, the play goes back to the possibility of the future funeral industry 50 years later to the present after the epidemic, exploring whether the rituals and ceremonies changed by the epidemic serve the dead or the living.
The stage design is divided into the middle road for the dead and the areas for the living on both sides with a large area of white cloth hanging on the stage, which is inspired by the mourning couplets of traditional funerals. The transparent tubular space under the stage is similar to a telephone booth in function, and each story between life and death is opened through the phone.